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雅歌
Chengnan One
项目名称 | 中海城南一号跃层
项目地址 | 中国 成都
设计机构 | STUDIO.Y余颢凌设计事务所
设计团队 | 余颢凌、尹杰、杨一凡、刘芊妤、杨菲
项目品宣 | 徐彩红
空间摄影 | 张骑麟
项目面积 | 460㎡
完工时间 | 2020年10月

现代主义大师柯布西耶,对设计中的秩序颇为迷恋,他提倡在建筑设计之中,从纵深排列的平面中,创造出一个可以走进去的延伸空间的幻像,达到一种通透感(Transparency)。室内设计中的通透感也源于这种从二维到三维的转化。原有空间,墙体繁多,布局分散,动线关系凌乱而复杂,严重影响了人的居住体验。空间尚停留在二维的平面上,板滞而缺乏层次。设计师将空间中可以打掉的墙全部打掉,重新梳理了空间动线,改变了原有的失序状态,重新确立了立体而通透的空间秩序。

Le Corbusier, a master of modernism, is quite obsessed with order in design. He advocated creating an illusion of an extended space that can be walked in from the plane arranged in depth in architectural design, achieving a sense of transparency. (Transparency). The transparency in interior design also stems from this transformation from two-dimensional to three-dimensional. In the original space, there are many walls, scattered layouts, messy and complicated moving lines, which seriously affects the living experience of people. The space still stays on a two-dimensional plane, sluggish and lacks hierarchy. The designer knocked down all the walls that could be knocked down in the space, reorganized the spatial flow, changed the original disorder, and re-established a three-dimensional and transparent spatial order.

 

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